Belonging Essay: “Rabbit Proof Fence” by Phillip Noyce Essay

A guts of working comes from having tie-ups with people and place/ Comp ar how the texts you have stu reveald commune these caprices. Who am I? Where do I belong? A souls identity is shaped by their sense of be and/or not be. This concept is clearly explored in the touching scene Rabbit proof skirt of collar girls track away to think way domicil, to where they belong to. Whereas, Peter Skrzyneckis metrical compositions Postcard and 10 marry Street focus on the self-awareness and conflicts inside the occasion as he tries to meet his identity and belonging through and through a postcard and his grizzly house. Rabbit- Proof wall is a 2002 Australian drama film enjoin by Phillip Noyce. The true story is set in 1931, about three aboriginal girls forced to leave their families in Jigalong as they are fractional caste children to be trained in the domestic ways of current civilization. The film explores chances of both belonging and not belonging in copulation the s tory of these fundamental girls. Throughout Phillip Noyces Rabbit Proof Fence, molly has a strong sense of connection to the charge and to her family. As she says at the beginning, Our people, the Jigalong mob, we were desert people then, walking all over our land it clearly shows where she whole t one(a)s she belonged. But her words The sinlessness people, shows her oppo point signature as she has no sense of belonging to white night club.Young molly is told by her pay off about a significant figure of her culture, the nub eagle which symbolises the totem of her community and the connection to her ancestor. The image of the family playing and hunting unneurotic in the opening scene is one of unity, support and protection. Unfortunately, mollys family is soon separated as the children are sent thousands of miles away. The scene when the children are taken by the police is extremely dramatic and intense. The sense of vent is make greater by the screaming of the childre n and mother, her repeating the word exploit showing her ownership of her children and the frenzied observeing created through hand-held tv camera work. The childrens new home at Moore River is so unfamiliar and is set with the natural world of their bushland home. The image of Molly, her sister and her cousin sleeping together in the same bed focuses our attention on their need to feel secure and protected. They are forced to speak English, and their language was thought wangka, gossip.The girls are taught to give up their culture and their language to learn the white culture which is completely strange to them. The enticements of the white people, Youll feel quite at home in this new world does not attract Molly and even makes her sick. The climax is when Molly decides to escape from Moore River. They walked 1500 miles along the longest fence in the world being hunted by Constable Briggs and an Aboriginal tracker. The fence in the photo represents a symbol of the way to t heir home. When they capture the fence, the film juxtaposes image of their mother also gripping the fence, and a close-up mutable of their smiles reveal their joy of being connected by beautiful delirious music. Molly and her sister then continue their long journey home overcoming legion(predicate) obstacles to be finally reunited with their family. The slow motion image of the mother crying, hugging the kids emphasises the significance of their need to belong and the strong connection to family. The movie would not have a happy end as Molly is then taken away after she gets home, but it cannot stop her from running away all her life to be where she belongs.If Rabbit-Proof Fence leaves the audiences beautiful images of a familys strong connection and the desire to belong to a authoritative home, the poem Postcard by Peter Shrzynecki explores the concept of belonging on the personas sense of cultural identity. It is a postcard that the author received, which depicts the city of Warsaw in Poland, his homeland. However he does not feel the same sense of connection to his homeland that his father feels, but quite a feels alienated and disengaged. The negative connotations of the verb Haunts and its position on a line by itself highlight the personas unease and uncertain connection to the place. This contrasts his suspensors perception that his parents will react positively to this postcard, liveliness a sense of connection to it he requests I show it to my parents. The separation of I and his parents on a separate line suggests their different perceptions to the postcard. The poet described the determine in the postcard without enthusiasm, from the Red buses to The River and its concrete pylons and the skys brightest tonicity.The colours in the post card are unnatural and his foreignness with Warsaw is emphasised when he cannot tell whether something is a park. Skrzynecki however, is stuck by the moment. The routine of personification gives the effect of the poets conversation with Warsaw, I never knew you, which is his aim refusing of relation to the place. The following Except in the third person emphasises the poets sheer distance and detachment in his life from the city. Contrast to Skrzyneckis negative to the city, his parents and their friend as dying generation are go on the attachment to the city with a strong sense of belonging. They shelter, control Despite living in a new city, these older migrants find a sense of collective belonging in reminiscing about their onetime(a) Town. The persona clearly distances himself from this, separated through the distinction made between the pronouns, I and They. The author then confronts the conflict which lies in the rhetorical question Whats my choice to be? as his parents will be proud and speak of their Beloved Ukraine.The poet recognises the citys offers but concludes that he cannot give it more than eyesight and praise and his response will not come from his heart. Yet, it then ends with a tone of desperation as he asks, What more do you want besides the gift of despair? Which reinforces the poets conflict to acknowledge his connection and loss with the city. The use of direct rescue A lone tree whispers, we will meet before you die personifies Poland and suggests it is calling him home. It is a prophecy that he must visit Poland in order to understand his identity. The reason he could not yet belong to Australia is simply because he did not understand his original heritage. For Skrzynecki, to belong to Australia he must first belong to, and understand Poland by visiting it and freehanded in to its calling. The experiences of belonging on the other hand, are often initiated at birth within family, as it is the first group an individual becomes a adjourn of. 10 Mary Street is the address of Shrzyneckis family, and the poem that conveys with insight into the concept of familial bonds, and our instinctive choice to belong in the home.The sense of the comfort is established in the beginning of the poem with the simile A well-oiled lock indicates the positive image of the Skrzynecki household going through the sense of ownership and security it provides. The Nineteen years also adds a depth to this and expresses the sense of belonging Skrzynecki felt to the place. Plus the repeat of the pronoun We emphasises their togetherness and belonging to each other. In another simile, ravage the backyard garden like a hungry bird, Skrzynecki compares his early boyhood days of hunger after work with a young bird in the nest revealing the delights of the familys vegetable garden and it creates an image of comfort, security and familiarity. The garden is an important fount of their lives where the poets parent watered plants- grew potatoes like adopted children, stressing their strong connection to their home. The positive images For nineteen years, we lived together, and later of visitors sharing their common interests, discussions , embrace gesture present their home as a trusted site of the liveliness and friendliness. Contrasting to the warmth and security inside, outside of the house with its china-blue covering, represents a refugee for them, and an unwelcoming culture into which the family must go, but do not authentically belong.Once again there was a barrier, the still too-narrow bridge that separated the two worlds. Besides giving them a haven from nature, the enclosed shoes gives them a chance to preserve a private life and entangle their past life in pre-war Europe. For nineteen years, Skrzynecki lived his Australian life style while his parents kept prewar Europe alert with photographs and letters. This juxtaposition portrays the adopted nature of the home for his parents as a refugee, and for the persona as a home. The immigrant familys naturalisation into Australian society is described as becoming citizens of the soil. This metaphor creates a feeling of being connected as Skrzyneckis famil y accepted and became a part of the land.Throughout the poem is tone of positive feeling and contented. The familys unless regret is leaving the home. In essence, belonging is a fundamental aspect of an individuals life and one should make as many positive interactions with others in order to enrich their experience of this essential gentleman need. Peter Skrzyneckis Post Card extensively explores that the sense of belonging if is undefined can haunt a person their entire life. This is contrasted with the idea that positive interactions of an individual to a group or their family as is highlighted in the film Rabbit-Proof Fence and especially in Peter Skrzyneckis 10 Marry Street, as the members of the Skrzynecki family feel an enriched sense of belonging to one another.