Assessment of Grandmother’s Character in ” a Good Man Is Hard to Find”

An Assessment of the Grandm another(prenominal) from A Good Man is unvoiced to Find by Flannery OConnor The nan who remains unnamed totally throughout in the story is the protagonist and the central section of Flannery OConnors A Good Man is hard to Find, a tragic story of a family who decided to go on vacation precisely got killed randomly on the road by a criminal on the loose named The Misfit. She is endowed with a joyful core, a passion in emotional state in spite of her age. She is a non-stereotypical cleaning wo spell whose old fake article of clothing and beliefs contradict her strong, artful mind, an opposite trait of a hands-off and complacent woman in her beat.The Grandmother is a smart woman who knows how to assert herself by trying to expend all the available resources most her and manipulating them by appealing to their morals. From this information we say that the gran is a dress circle and dynamic character as her character changes from being a artfu l mother to her watchword Bailey, to a quirky, playful naan who ignite her grandchildrens imagination by her stories, and finally, to a humble human being who experiences awakening and acceptance of defeat in her moral battle and failed manipulation plot with The Misfit.Right from the beginning of the story, we ar introduced to a powerful trait of the grandmotherher strong and manipulative character. She did not motive to go to Florida, as her son Bailey has planned for the family. Instead she wanted to go to Tennessee to visit her old friends and she was clutch at every chance to change Baileys mind (356). She would use everything around her to complete her scheme and get up things her way.She picks up a newspaper and shows him the news about a criminal on the loose from the federal official Penitentiary who is headed towards Florida, and attacks his conscience and morals by saying, I wouldnt fix my children in any direction with a criminal like that a loose in it. I could nt answer to my conscience if I did (356). When her first attempt gets no response, she uses her grandchildren and hopes to convince Baileys mind this time by saying that the children need to see the other parts of the man and be broad (356).Finally, when she realizes defeat, the grandmother is the first one all set to go the next morning, an quality of the dynamism and flexibility of her character. This corresponding manipulative character is so grand in the development of the plot that it entrust set fire and conflict of the story. The grandmother persuades her son Bailey to make a detour and let the family see an old habitation off road. When Bailey says no, she once more(prenominal) uses her grandchildren by telling them lies about the secret panel in the house where the old family that used to stay in that house hid their silver.The grandmother knows she ignites the childrens imagination and senses winning this time. This sends the children to a frantic tantrum and ultim ately changes Baileys mind. The detour causes them an accident and their encounter with The Misfit. In her encounter with The Misfit, hushed luxuriously with power over her efficiency to changer her sons mind, she does the same tactic to The Misfit, and hopes not to get killed by persuading The Misfit to change his shipway. She evangelizes on his morality and flatters him by constantly telling him he is a good man and that he comes from a nice people (364).Her desperation is overwhelming as she desperately tries to reach out with The Misfit by calling him one of her children and sorrowful him on his shoulders. This desperate action brings her to her death in the hands of The Misfit. App arntly, her manipulative scheme does not work with The Misfit, instead gets him more irritated and maddened as he states, She would have been a good womanif it had been singular there to shoot her every minute of her life (368). Another indication of the grandmothers unique personality is her clothing and style.The author presents her to us as being a prim and proper lady togged up in a navy blue suit with a twin(a) navy blue sailor hat and white cotton gloves. What makes her clothing and style peculiar and interesting is its inappropriateness to the humid condition of her surroundings. The grandmother seems unmindful about it instead she focuses on her aristocratic and old-fashion views in life. She states, In case of accident, anyone seeing her dead on the highway would know at once that she was a lady (357).Instead of viewing the grandmother as hypocrite and superficial, we could look at her as a lost spirit in a lost time frame and space. Her old-fashioned clothing, ways and thinking indicate her imprisonment and nostalgia for the old days. This is shown through her constant recalling of the past, her desirous to reconnect with her old friends in Tennessee, and her nostalgia with the old house in the hill. These are important indications of a suppressed spirit tr apped in the pain and joys of disharmonious past.Tragically, this constant yearning of the past will take her and her family to doom and death. Compared to the other characters in the story, the grandmothers character is the most dynamic and vibrant just like how her choice of clothing stands out. Her son, Bailey, is a cold-hearted and self-absorbed individual whose character is just as boring as his yellow echo shirt. He consciously defies his mothers control and hates her sunny disposition, The childrens mother put a dime in the machine and play The Tennessee Waltz, and the grandmother said that tune always made her want to dance.She asked Bailey if he would like to dance but he solitary(prenominal) glared at her. Baileys wife on the other hand, is a passive character whose only obsession is to hold her baby day and night. To illustrate it more graphically, the grandmother is a giant red rose in the center of weathered weeds in a field. It becomes more vibrant in her encounter with the antagonist of the story, The Misfit. The grandmothers and The Misfits characters are both strong and contrast with each other and it is reflected in their fence choice of clothing and differing views on morality.Reading between them is like watching the Battle of Endor in Star Wars-Return of the Jedi where the goodLuke Skywalker battles with the worthlessDarth Vader. The encounter brings us to a hopeful anticipation whether the good will prevail evil and hopes that the grandmother will persuade The Misfit to spare her life and change his ways. precisely to no avail. The grandmother will be shot three generation on her chest. The death of the grandmother in the hands of The Misfit will rear us differing reactions.At first instance, we may feel vindictive for the grandmother, and that she only got what she deserved as payback for her selfishness and manipulative character. At the same time, we are also saddened of the evils triumph over goodness, a purify of reality that at times or most of the time, guns are still mightier than words or even religion. The story concludes with a life lesson that a mans character and morality are so embedded in the individual that it cannot be changed overnight nor by the unmingled mention of God or religion.It has to be noted though that when the grandmother dies, the author describes her as half sat and half lay in a puddle of blood with her legs crossed under her like a childs and her face smiling up at the clear sky (368), as if full of peace and divine grace. This demonstrates OConnors conviction on salvation through religion that everyone has the chance to be saved no matter how deceitful the individuals actions may have been in the past. All throughout the story, our relationship with the grandmother fluctuates from offense to love, anger to sadness.We love her for her playfulness, her sunny disposition, and nostalgia for the past, yet we hate her for resembling with our own grandmothers or mothers who never shut up at our homes and who seem to know everything in the world constantly asserting their power and dominance over us. This ability to evoke an ambivalent feeling and familiarity with reality is what makes this story worth rendering all over again. References O Connor, F. (1955). A Good Man Is punishing to Find. In G. Giola, &038 J. Kennedy (Ed. ), Backpack Literature (pp. 355-368). USA Pearson