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Thursday, March 28, 2019

The Caracter of Meursault in The Stranger (The Outsider) Essay

The Caracter of Meursault in The terra incognita Albert Camus The Stranger is a startling novel at worst and a pursue classic at best. Camus presents a thrilling story of a human devoid of emotion, even regarding the most sensitive, personal matters. The main compositors case, Meursault shows no feelings later the death of his mother, during his romantic relationship with Marie, or during his outpouring for the murder of an Arab. Meursault neer shows feelings of love, regret, remorse, or sadness. It takes a great amount of skill to portray much(prenominal) a seemingly inhuman character as someone who is interlacing and multi-faceted like Meursault is. Camus shows a definite sense of audience in this book. His manner of speaking and phrasing shows that he has aimed the book towards an older crowd, one that would understand the cognitive content he wants to portray. Even when the language is written in a uncomplicated tone, it still seems aimed at an older aud ience Fumbling a dinky with my words and realizing how ridiculous I sounded, I blurted out that it was because of the sun. People laughed. My lawyer threw up his hands, and immediately after that he was given the floor (103). The equal to(p) matter itself is certainly aimed towards an adult audience. Some topics include sex, murder, death of a family member, and domestic abuse. Religion, or lack thereof, is a topic heavily discussed during Meursaults trial for murder. Meursault is a self-professed atheist, and there are numerous conversitions between the main character and others he interacts with on this topic. The author is an important part of The Stranger. Camus developed his conjecture of the absurd - the idea that life has no rational meaning - during being War II. ... ... Compare strong beliefs from the first half(a) of the novel to the second half As soon as he saw me, he sat up a little and put his hand in his bag (58). Especially when the emptiness of a mans heart becomes, as we find it has in this man, an abyss threatening to swallow up society (101). The first sentence has less detail and feeling to it the second example seems to have more(prenominal) emotion and feeling in its structure In conclusion, all of these elements serving to make The Stranger a classic tale of murder and the absurd. Camus manipulation of Meursaults tormented world, where everything makes sense to only him is an ingenious way of looking at the sheer monotony and almost redundant tendencies of life in general. cook Cited Camus, Albert. The Stranger, trans. Mathew Ward. New York Random House, Inc., 1988.

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